Today, we are goint to talk about the K-movie ‘the Wailing’ Review and Backstories.
K-movie ‘the Wailing’ Review
The K-movie ‘the Wailing’ is directed by Na Hong-jin, known for his previous works “Hwanghae” and “The Chaser.” In my opinion, Director Na Hong-jin stands out as one of the Korean directors who creates the most cinematic and film-like experiences.
The K-movie ‘the Wailing’ invites contemplation on cinematic elements and direction. I found myself engrossed, experiencing the immersion of the movie transforming into a captivating story. The movie’s likelihood and shocking content catered to what the audience desired. The title, Gokseong, in Korean unveils a nuanced meaning through different Chinese characters, and the film strategically utilizes its mountainous setting to cultivate a eerie atmosphere, enhanced by frequent intense rain scenes that effectively evoke fear.
However, the Wailing goes beyond its atmospheric setting; it intricately weaves a complex narrative with dual tracks, resembling a spider web. Various genres, such as elements of the occult drawn from different religions, and the thrill of a suspenseful plot are seamlessly blended. The ambiguous ending ensures the story lingers beyond the theater. The plot unfolds as a tranquil village is disrupted by strange and terrifying events when a stranger arrives. Rumors, doubts, mistrust, and immense suffering follow a series of atrocities. The protagonist, a regular police officer and family man, becomes entangled in a brutal ordeal.
A mysterious figure appears, and the police officer takes significant risks to unveil the truth about the stranger. Motivated by personal struggles, the officer seeks the help of a shaman. The film follows this diverse cast as they navigate towards the unpredictable conclusion.
Clocking in at 156 minutes, the movie leaves a lasting impression of shock and thrill. The integration of Korean shamanism and Christian faith adds a unique and shocking twist to the narrative. The unexpected ending, achieved through a clash of ideas rooted in shamanism and Christianity, breathes freshness into a familiar cultural backdrop. The actors’ detailed performances, coupled with a robust storyline and an engaging soundtrack, elevate Na Hong-jin’s film. The genius screenplay, Kwak Do-won’s explosive acting, Hwang Jung-min’s brilliance, and Chun Woo-hee’s promising talent harmonize seamlessly.
It’s been a while since a movie has lingered in my thoughts post-viewing. The ability to imagine various perspectives contributes to its lasting impact.
Personally, The K-movie ‘the Wailing’ stands as the best K-movie I’ve seen, with a compelling story, adept direction, and stellar performances from the entire cast. It’s a truly exceptional film.
K-movie ‘the Wailing’ Backstories
Casting Insights
It’s reported that Na Hong-jin initially considered Ma Dong-seok for the role of “Jeon Jong-gu,” which was eventually portrayed by Kwak Do-won, and Ryu Seung-ryong for the role of “Il-gwang,” played by Hwang Jung-min. During the Movie Talk, Na Hong-jin mentioned that when he collapsed the scenario at his Sokcho accommodation, the TV was airing “New World.” After watching it, he decided to cast Hwang Jung-min. Also, the audiences came close to missing out on Kwak Do-won’s dynamic and energetic performance in “The Wailing.” The investment and distribution company for the film were reluctant to cast Kwak Do-won due to concerns about his recognition. Nevertheless, thanks to the unwavering trust of director Na Hong-jin, Kwak Do-won successfully secured the lead role as Jong-gu.
Interestingly, Chun Woo-hee’s role as “The Unknown” was initially considered for Kim Hyun-ah, a member of the girl group 4Minute. The production company, 20th Century Fox, suggested Hyun-ah to Na Hong-jin, who was enthusiastic about the casting. Na Hong-jin even personally offered the role to her, anticipating to showcase the energy she displayed on stage. However, due to Hyun-ah’s lack of acting experience, she politely declined, and Chun Woo-hee, who auditioned, ultimately secured the role. Post the success of “The Wailing,” Hyun-ah expressed no regrets about not having acting experience.
For Ages 15 and Up
The film has a runtime of 2 hours and 36 minutes, receiving an unusual 15+ age rating despite Na Hong-jin’s history of earning ratings restricting youth viewership due to considerable violence. It’s noteworthy that early audience reviews from press previews or paid screenings didn’t align with the expected youth restriction judgment. According to Na Hong-jin’s interview, the film took a different direction, moving away from his previous works that built suspense through violent portrayals.
Real-life Couple Dynamics
Kwak Do-won and Jang Ji-yeon, who portray a couple in the film, developed into a real-life couple. Their relationship began before they appeared as a couple in “The Wailing,” and the director cast them with this real-life connection in mind. While they initially revealed wedding plans, news of their separation sadly concluded that chapter.
Authentic Shamanic Performances
In the gut scene where Hwang Jung-min delivers a powerful shamanic performance, all the shamans depicted are real-life practitioners. The meticulous details of the scene, including the background, were crafted with guidance from these actual shamans.
Jun Kunimura’s Waterfall Scene
Director Na Hong-jin reassured Jun Kunimura, who was apprehensive about a waterfall scene, by personally standing under the waterfall. Both Na Hong-jin and the producer of “The Wailing” participated to personally ensure Jun Kunimura’s safety.
Addressing Concerns
While most of the film was shot in Gokseong-gun, the scene depicting the protagonist’s exorcism at the house was filmed in Docheon Village, Byeonggok-myeon, Hamyang-gun, Gyeongsangnam-do. This house, originally a pastor’s residence, posed potential inconveniences during filming due to noise. To address this, the residents were sent on hot spring group tours by the film team.
Outsider Consuming Deer Scene
In a scene, an outsider consumes an deer alive. Contrary to appearances, the dear eaten in this scene is actually raw beef. There are rumors that Jun Kunimura found this scene challenging and even considered refusing to film.
Hwang Jung-min’s Genuine Shamanic Display
In a scene where Hwang Jung-min performs a gutpan for the ailing Hyo-jin, lasting an impressive 15 minutes in a single take, real-life shamans scrutinized his performance, even examining his eyes, to determine if he genuinely became possessed.
